Tuesday, August 19, 2014

Efficient Exercising Of The Voice (Vocalizing)

Have you ever seen a beginner lifting a weights at the gym? Have you noticed how they usually tense and strain just about every muscle of their body except for the one they’re attempting to exercise?

Take someone attempting to do a bicep curl, for example. Often times, along with the curl - you’ll see a strained neck, face and back. And though this might all be yielding some results, it couldn’t possibly be yielding the same amount of quality results that would be obtained if this person would find a way to do the bicep curl in a way that almost exclusively engages the bicep. After all, this is the muscle that is being targeted – is it not?

What about you as a singer? When you are exercising your voice (vocalizing) are you engaging your face, neck, jaw, tongue, abs, back, legs and other big muscle groups beyond those you intend to exercise? If your answer is yes – don’t worry – you’re in good company. The truth is, most of us innocently do this. But again, don’t worry, there’s good news! And that is that we don’t have to do that!

Whether it’s vocalizing or doing a bicep curl, once we’re reminded that isolating the muscle group we’re working on will give us better results – we can immediately make the adjustments necessary to facilitate this isolation. Maybe we need to decrease the weight (in the case of weight lifting), maybe we need to decrease the volume (in the case of singing) or maybe we just need to realize that what we’re attempting to do isn’t as difficult as we think and that less is actually more. Maybe for some of us, tensing and making faces is a way of showing how passionate and into it we are and we need to let go of trying to impress others.

Whatever the adjustments we need to make, we now know that when we are making faces, turning on our neck, squeezing or pushing excessively from our abs, tightening our jaw and/or tongue – we’re not giving our voice much of a workout – instead, we are giving a workout to these external muscles that we aren’t interested in developing at the moment.

So from now on, lighten the load and volume of your voice until you can isolate and exercise the tiny muscles and ligaments within the larynx. Don’t let vocalizing show excessively on your face, neck or body. You can use your eyebrows as an indicator – are they moving as you vocalize? You don't want them to be - again: it's your voice, not your eyebrows that you're working out.

When you can vocalize with a neutral face across your range - you can be sure that the muscles you are intending to develop are getting the workout. And when this is the case, I assure you: you’re making progress you can count on.

Tuesday, January 7, 2014

Singing is easy AND singing is challenging

It's hard to grasp, but singing is neither easy nor difficult. Well, to state that in a way that is closer to the truth, the act of singing is easy and simple, but the act of learning a song and singing it well is pretty challenging.

You see, the act of singing can be as simple as speaking - just making sounds like we do all day when we speak, except in singing we use a wider range of tones, notes and volumes (dynamics) - the thing is we also have to learn rhythm, feel, tempo and delivery and that's when things get complicated.

 That's why vocalizing and singing have to be divided. When we vocalize, we connect with the simplicity and ease of making sounds, but when we sing and practice songs we incorporate the emotional dimension to the art of singing.

 So contrary to what I might have said before, singing is not easy or hard... singing is a mix of both. The real conclusion is that it take a lot of practice, dedication, commitment, love, discipline and freedom to deliver the song with love in a way that can connect. Make no mistake, focus... which is hard for us humans is the main ingredient of the craft and art of expressing song.

 May you be clear and committed to the fine art of SINGING!